![]() Polley lends the central conversation a visual gravitas normally reserved for epics: She shot the movie on the widest canvas possible using the same kind of equipment that captured Star Wars landscapes, and applied a muted color grading to every frame. But Women Talking, adapted by the writer-director Sarah Polley from Miriam Toews’s 2018 novel, is vibrant cinema. ![]() To some, this may sound like the kind of verbose material more fit for a stage play than a film. ![]() Is “fleeing” their community the same as “leaving” it? Would forcing themselves to forgive their violators equal true forgiveness? Often, the women nitpick one another’s words-why they’re chosen, how they’re used, and what they mean. They talk and talk and talk for hours, trying to reach a decision before the men who hurt them return the next day. The youngest two braid each other’s hair. In a hayloft overlooking the soy fields, dirt roads, and rustic houses that make up their isolated religious colony, eight women gather for a discussion. ![]()
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